Arts

Loose Threads Dangle in Bright, Bold Gradients in HOTTEA’s Kaleidoscopic Installations



“John Sweet,” Houston. All photographs © HOTTEA, shared with permission

Suspended from gallery ceilings or strung throughout an open courtyard, innumerable lengths of yarn comprise the chromatic installations by artist Eric Rieger, aka HOTTEA (beforehand). He arranges the gentle textiles in concentric circles or huge gradients that stretch from wall to wall, creating vibrant fields of colour that shift in composition relying on the attitude. Most replicate the artist’s recollections or experiences, and lately, he’s put in site-specific items in cities like Minneapolis, Houston, and Miami.

The tri-colored “Strangers” is HOTTEA’s largest outside work up to now and was designed for Breve Festival in Belo Horizonte. Drawing on his encounters within the Brazilian metropolis, the huge, uplifting work measures 100 toes lengthy and 30 toes huge, with the person yarns extending 13 toes. “The phrase ‘stranger’ usually occasions has a destructive connotation,” he shares on Instagram. “I appreciated the thought of referring to a stranger as a constructive factor.”

At present, HOTTEA is engaged on a number of installations for places in Los Angeles, New York Metropolis, and Far Rockaway, New York. He’s additionally organizing a flash vogue present and collaborative challenge to create momentary items all through his neighborhood within the Twin Cities.

 

“Algebra,” SCOPE, Miami

“John Sweet,” Houston

Element of “Haus,” Minneapolis

“Haus,” Minneapolis

“Strangers,” Belo Horizonte, Brazil

“Serape,” Minneapolis

Element of “Serape,” Minneapolis

 

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